Recently, I found myself laughing sarcastically at a community member on the architecture forum puzzling on the lack of drawings in our media publication. As a frequent writer of architecture and design reviews, this has been something I’ve often asked architects whenever I’ve been delivered a press release package. Often, I’ll be given a couple of good sentences (at worst, a two-sentence project that had me go hunting at other publications to pull out details), and some lovely images of hero interior (and the occasional tired photo of a furniture piece that we know will later be questioned by the public on its practicality). While I absolutely adore the photographs being provided, I find that my writing does not excel as much as I’d like – especially when I’m looking at a set of press photos that only showcases one room when the promotional package explores several spaces.
Read Morearchitecture in writing
Where Writing Builds
The space was filled with a complete minute of silence when my colleague posed this question to me. Having giddily shared my freelance writing during idle moments at work, my colleague humoured me with a challenging prompt. To choose between writing or architecture initially felt like a demand to choose my favourite child…
Read MoreWhere did written criticisms go?
Recently, during a lunch discussion about an architecture the architects was reviewing, I raised sarcastic laughs from them when I absent-mindedly asked if their review was a ‘glowing one’. In the landscape of Architecture media, or media in Australia – in which defamation cases can receive severe punishments, there is a semi-walking-on-eggshells feeling when it comes to leaving your opinions about something you’re not particularly fond of. Where reviews are often a poetic description and capturing of the project, and critique is perceived to be dragging the project through the mud, the opinion piece becomes difficult to distinguish whether it’s a review or a constructive critique.
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Ping! Ping! Ping!
Architecture of the Media : When One Issue Unconsciously Buries Another
Comedian Anna Akana’s video ‘You can’t care about everything’ was also ironically released that day, explaining on the issue of compassion fatigue. The timing couldn’t be more perfect when I stumbled across the video in which she explained the overwhelming feeling of the constant broadcasting of crisis and issues happening at every nation. There was a sense of relieve when she consolidated the issues and that it is okay to have your beliefs – so long as we understand and separate ourselves what we want to put value on and work towards it, that’s okay also.
Read MoreArchitecture for the Homesick 101 : Making most of what they've got
I remember feeling so embarrassed when my tutor noted that our architectural scheme in response to the Sharing Economy resembled the lifestyle of Domestic Workers in Asia (Hong Kong, Singapore, Malaysia, Philippines, Indonesia, etc.). My friend and I were determined to give a bleak and dystopic scenario marketed almost like a sunny paradise: the more you work for the family, the better your living conditions will be.
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Architecture for the Homesick 101: Are You Sure You Need A Kitchen or a Laundry?
in Social
Last year. during our studio class (Studio Shared) - our group’s assignment challenged the ownership of a house - how much one should have or want to possess. Essentially, it was very much like an IKEA catalogue of pick and choose the elements for your house considering that your necessities such as a bathroom, communal kitchen, toilet or laundry were highly accessible as it was a foreseeable trend of the future. Albeit, despite having these facilities available publicly, our house still retained the nuclear house: a kitchen, a sink, a bed and plenty of storage. It was also very reminiscent of my other studio project I did during first year with my partner, where we also designed another IKEA flat pack type design that offered residents to build cells of what they would like to have in their own home should their area become flooded.
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"But my dear, it's not always about the money"
I'm sure many avid Dezeen readers, architecture colleagues and my friends are aware of the hot topic that has exploded recently. After the news of Junya Ishigami's recently commissioned Serpentine Pavilion, where he is obligated to pay those who are involved with the project due to his unpaid internships. The news was immediately followed by another article condemning firms that provide unpaid internship shouldn't be commissioned by high profile galleries.
Read MoreExpectation vs. Reality III: When the Love Letter Becomes Unwanted
Over tacos and being miserable with the realisation how lacking we were in trivial knowledge from Trivial Pursuit, my friends and I were discussing about taking aesthetic photos for dating apps. While the idea was a mere banter, the ideas that kept sprouting were evidently inspired from our constant scrolling down the square images that constantly pop up on Instagram. These photos were often captured through a process of dreamy filters, correct ‘candid’ poses and exceptional cropping that gives us the final aesthetic. However, we must also remember that it is the kind of backdrop and setup that allows us to achieve the ‘Instagram Worthy’ photo – and these backdrops that are often discovered accidentally and later becoming the popular backdrop for others can become a love letter to our surroundings.
Read More“Unless we’re looking at the cartesian plane, there is no such thing as Linear my dear...”
During my stay in Hong Kong, a family friend invited me to attend a debate organised by RIBA HK Chapter. The topic: “Linear Design Process = Efficient Design Process”.
Guiltily, I admit that I didn’t give the topic much of a thought initially, as my mind initially jumped to the literal thought of a straightforward process: narrow-minded, rigid and unforgiving in alternatives. Needless to say, I was rather perplexed by the argument itself considering that design processes (at least from my design experience at university) requires various hoops to jump through and elaborate conversations in order to successfully reach our destination.
Read MoreBut... Are You Happy? Chapter II
Last week, my friend and I were polishing off our pancakes on our long overdue catch up when he asked me the question. Our conversation has reached a point where our doubts and wariness for our future has us questioning about the choices we have made in our lives so far. The amount of studying and measures taken to achieve our ambitions was evidently wearing us down. "I guess it's because we know that we may not get the opportunity to design something like the way we do again - in a practice at least..."
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