Past Lives dives into the ‘what if’’ of almost relationships and closure that many people often sought after. In this narrative, we are surrounded by three main characters: the sweethearts Na Young (also known as Nora, played by Greta Lee), Hae Sung (played by Teo Yoo) and Na Young’s husband Arthur (played by John Magaro). The film is anchored by the blossoming romance between Nora and Hae Sung that is cut short by external forces, and after a considerable time in between their own lives, the two friends reunite and answer unsaid questions that must have haunted them during their absence in communication. These are answered through awkward conversations that almost feel like small talk, added the cultural difference between the two allows the audience to see the inevitability of the outcome of this friendship.
It took me nearly four years to finally grasp that feeling of wanting to design something for myself – where the direction, while guided and navigated by my peers, but towards the end came into fruition of something that I believe in.
Looking back at my architectural education – it felt like majority of my work was predominantly shaped by a combination of envy and the desire to feel validated for my design. A deep level of insecurity was sparked from jumping into another world without being aware of the lingo nor the terminologies others have been equipped with already. For me, coming from a school that prioritised final grades for reputation – it seemed like the only solution for me to understand or adjust to each semester was designing through the lens of my tutor.
After the podcast with Adrian on architecture and film, as well as being a 35mm analogue enthusiast, my friend and I found ourselves on a weeknight sardined among eager film enthusiasts (or HK enthusiasts) to watch the critically acclaimed In the Mood for Love (2000). A quick synopsis: In The Mood For Love is about two characters Su Li-zhen (played elegantly by Maggie Cheung) and Chow Mo-wan (played by Tony Leung, very handsome might I add) who have come together after discovering their respective partners are having an affair with each other. Already a well-known film and being partially aware of the ending (heck they already give you written spoilers at the very beginning), I wasn’t confident in how I would feel about watching two isolated souls would make me feel. My friend, who also shared a similar sentiment decided that we would become each other’s anchor throughout the narrative.
Coming back for another discussion, Dini and I share some of our favourite photographs while sharing our thoughts through the art and architectural lenses.
The stereotype of landscape architecture often can be confused with urban planning due to the broad concept of ‘landscape’ itself. While there can be some level of residential garden design involved in landscape architecture (most common spaces such as shared courtyards, rooftop gardens, townhouse neighbourhood garden designs), we usually design for the public realm at a multitude of scales (from urban street parks to rejuvenating degraded landscapes). To summarise, the role of a landscape architect begins in “creating spaces within our natural and built environments that respect and enhance our interaction with landscape.” (Kombol 2015, 8) The study of landscape architecture teaches the necessary skills that influence the foundation and analysis of each project design.
The video game industry has and still continues to provide entertainment for many years. Covering many genres like sports, action, strategy and simulation to suit every person. For instance, the classic life-simulation game – The Sims™, has been made popular by its open-ended, no-objective gameplay and free will. The game grants the gamer full control; from fulfilling the whims of their sim (avatar) to the very shape of their nose. This kind of flexibility has attracted many types of players. There are gamers who dream of leading a different life and live vicariously through their sims, there are those who enjoy pushing moral boundaries and those who enthuse and appreciate the design aspect of the game. In this virtual realm, there are no rules, no legal restrictions, no complaining neighbours, and best of all, no budgets!
Customisation of design can arguably arise from our habit of searching for the aesthetic in visual as well as the attitudes of wanting to follow the trend yet with discretion and dignity. This is similar to the idea of purchasing counterfeit goods we often see in the markets – it is giving the people a sense of belonging and confidence now that they have owned a part of the trend.
This morning, I came across Dezeen’s article on Wallgren Arkitekter and BOX Bygg’s upcoming Grasshopper plugin Finch - a “parametric tool that generates adaptive plans”. Finch essentially is a plugin that, by inputting information about the size of land coupled with building regulations, it will be able to generate a range of generic plans. This is quite exciting for many of us, considering that should we study hard on the standard building codes and restrictions, it will give us time to understand and practice the means to create a habitable design. This is also beneficial in terms of research, given that if we input codes from different generations, we are then able to make immediate comparisons on the evolution of housing designs in accordance to the types of regulations that they have been coded with.
I remember feeling so embarrassed when my tutor noted that our architectural scheme in response to the Sharing Economy resembled the lifestyle of Domestic Workers in Asia (Hong Kong, Singapore, Malaysia, Philippines, Indonesia, etc.). My friend and I were determined to give a bleak and dystopic scenario marketed almost like a sunny paradise: the more you work for the family, the better your living conditions will be.
