Recently, I found myself laughing sarcastically at a community member on the architecture forum puzzling on the lack of drawings in our media publication. As a frequent writer of architecture and design reviews, this has been something I’ve often asked architects whenever I’ve been delivered a press release package. Often, I’ll be given a couple of good sentences (at worst, a two-sentence project that had me go hunting at other publications to pull out details), and some lovely images of hero interior (and the occasional tired photo of a furniture piece that we know will later be questioned by the public on its practicality). While I absolutely adore the photographs being provided, I find that my writing does not excel as much as I’d like – especially when I’m looking at a set of press photos that only showcases one room when the promotional package explores several spaces.
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Still from Barbie (2023) - Courtesy of People Magazine
Barbie Movie - A Film that I Observed
Last week, eyes coated in hot pink and armed with three Barbies and one Ken, I became a part of the pink-cladded audience to watch Greta Gerwig’s highly anticipated. After all the intense marketing from the franchise that included Architectural Digest’s coverage of the captivating Barbie set to the two hundred plus Barbie Pink collaborated everyday products – I was anticipating that this movie would rewrite Barbie’s political rhetoric that has continually evolved. However, I later found myself watching the film but with exhaustion…
Read MoreLike Really? You Want Me To Think Like That?
It's an exhausting and ongoing cry for journalism when it comes to the treatment and portrayal of women in the eyes of men. So I would like to share with you a rant that I’ve had with my friends three years ago – one I was terrified of sharing publicly but now feel confident in sharing now.
Read MoreWhere did written criticisms go?
Recently, during a lunch discussion about an architecture the architects was reviewing, I raised sarcastic laughs from them when I absent-mindedly asked if their review was a ‘glowing one’. In the landscape of Architecture media, or media in Australia – in which defamation cases can receive severe punishments, there is a semi-walking-on-eggshells feeling when it comes to leaving your opinions about something you’re not particularly fond of. Where reviews are often a poetic description and capturing of the project, and critique is perceived to be dragging the project through the mud, the opinion piece becomes difficult to distinguish whether it’s a review or a constructive critique.
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